Sunday 3 November 2013

Reccuring Themes - Androids

Ash the Android from Alien 1997
One of the recurring themes I've noticed within the four films I have chosen to study is the theme of Androids. Within three of the films (Alien, Prometheus and Blade Runner) I have chosen to study, Androids have made appearances with very significant roles; although no androids appear in the movie Gladiator, it only seems logical that they don't seeing as it isn't at all a Science Fiction movie, however the other three films that I've listed all happen to include elements of the Sci-Fi genre, one of those main elements is of course Androids.

Scott always presents these androids in a similar way in each film; usually they are classed as a villain within the films, yet they don't always commit actual crimes against the heroes or other characters within the plots, they simply act very intellectual yet with a sinister side to their persona. All the androids in Scott's movies seem to have purpose, they are never minor characters, instead they are very significant to the plot and help to develop the narrative more than most of the human characters do. For example:
Roy Batty the main Android villain from Blade Runner
  •  Ash from the movie Alien was given orders to "Bring back the Alien life form" this was both a critical threat and unbeknownst to the rest of the crew, all of which were human. 
  • David from the movie Prometheus takes many actions that puts the rest of his crew (again, all of which are human) at risk, although he saves them few times, he is the main reason they are all put in peril countless times, and yet he shows no remorse, even when it results in the death of a fellow crew member
  • Batty is the main villain in the movie Blade Runner and is known as the world's most wanted replicant for murder and other crimes 

Scott seems to present most of his Android characters as "superior beings" within each of his movies. They are always very intelligent, they posses increased strength in comparison to the human characters that they interact with, they also seem to have an agenda or purpose that not only jeopardizes many other characters lives, but makes their own character seem a lot more important than those around them even though they aren't even "living beings" themselves. It's as though Scott has an obsession with these Androids and sees them as the superior race to humans, I believe the perfect example is the most modern example: David from the movie Prometheus.

David the Android from Prometheus
Appearance wise, David (Shown on the right) matches the "Aryan Race" which was once referred to by many as the "Superior race", he is a tall man with white skin, blue eyes and blonde hair (Roy Batty from Blade Runner also possesses this same similar appearance to the Aryan Race); David is even shown speaking and listening in the German language within the movie Prometheus. David also happens to be one of the only characters within the whole movie that has a sense of knowledge as to what entirely is going on in this alien planet that he and his crew members have discovered. In fact he is one of the only characters to survive all of it's threats and does not at any point show signs of fear, which contrasts with almost every human character within the film. This may all seem like a coincidence, but I believe Ridley Scott is trying to present these Android beings in a way that makes them seem above humanity itself, making their characters seem very important to the audience and the narrative of his movies, or at least science fiction movies.

Video Source - Ridley Scott - Gladiator - Behind The Scenes

Ridley Scott - Gladiator - Behind The Scenes


  • The coliseum was built for the set and topped off with CGI 
  • Real Tigers were used on set
  • Scott says working with films is a lot easier than working with TV
  • Russell Crowe - "I like being on Ridley's set because actors can perform... and the focus is on the performer's."


Internet Source - Wikipedia

Source: http://en.wikipedia.org/wiki/Ridley_Scott#Approach_and_style


  • Often includes strong female characters.
  • Often makes use of classical music (Hovis Advertisements, Someone To Watch Over Me).
  • Extensive use of smoke and other atmospheres, plus fans and fan-like objects which he uses in Hannibal for symbolic purposes.
  • Storyboarding his films extensively. These illustrations, when made by himself, have been refferred to as "Ridleygrams" in DVD releases.
  • Seems to use extreme levels of lighting in his films. Blade Runner is for the most part dark and dingy, whereas Thelma & Louise, for the most part, is bright, sunny and happy. 

Book Source - Chambers Film Factfinder, 2006

Source: Chambers Film FactFinder 2006, by Editors of Chambers

"The often spectacular visual composition of his work has earned him the nickname 'The Rembrandt of Light'. He owns Shepparton film studios with his younger brother, the director Tony Scott, and despite a career lull during the mid-1990s, is one of the most successful British directors in Hollywood."

Critical Responses


  • "Directors tend to emphasize different issues in their interpretations of scripts. For a director such as Ridley Scott, masculinity and its habitual need to prove itself is a presence even in his films about women (Thelma and Louise and GI Jane). The value that prevails in a Scott film is the positive value of masculinity."  - Ken Dancyger 
  • "Though Scott has forged a style that is recognizably his own, his approach to filmmaking has a precedent in German Expressionist filmmaking. The Expressionists were among the first to use the elements of mise-en-scène (set design, lighting, props, costuming) to suggest traits of character or enhance meaning. Similarly, Scott's techniques are stunning yet highly artificial, a trait often criticized by American reviewers, who too often value plot and character over visual style, and realism over symbolism." - Susan Doll
  • "Although the films Ridley Scott chooses to make suggest a director of considerable ambition, he is unlikely to be taken very seriously until he overcomes an inability to tell a story clearly or to create credible, vivid characters. Too concerned with the look of things, his work is often predictable, even incoherent." - Geoff Andrew
  • "Often derided by critics for his tendency to emphasise style over substance, particularly in the use of inexplicable, though atmospheric, light sources (a quality he shares with his brother Tony), Scott has created a vision of the past, present and, most dramatically, the future, that has influenced a whole generation of film-makers." - Ian Haydn Smith
  • "Scott is a decorator, a borrower, and a synthesist; like a great machine he contains all striking images and can deliver and fuse them, so long as the product is impersonal… He is a as blithe and versatile as Michael Curtiz, who always made hokum look as good as quality. Scott can find his imagery in 1800 or 1492, in the Dark Ages or the darker future of twenty-first century L.A." - David Thompson
  • "If his decorative pictorial style can produce breathtaking images, on a bad day Ridley Scott is also capable of virtually a parody of the over-designed advertising aesthetic, such as the blossom-strewn fantasy Legend (1985), which at times resembles a commercial for toilet paper." - Ronald Bergan 
  • "People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at." - Ridley Scott

Internet Source - They Shoot Pictures

Source: http://www.theyshootpictures.com/scottridley.htm

Key Production Companies used by Scott: 

  • USA
  • UK

Key Genres Scott has worked in: 

  • Historical Epic
  • Epic
  • Crime Drama
  • Science Fiction
  • Drama
  • Crime
  • Thriller
  • Comedy Drama
  1. Ridley Scott was rated #50 in the "Top 250 Directors" List
  2. Blade Runner was rated #45 in "The 1,000 Greatest Films" List
  3. Alien was rated #195 in "The 1,000 Greatest Films" List

Friday 1 November 2013

Prometheus




Winner of 2 awards and nominated for an Oscar, Prometheus follows a team of explorers who discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. The crew arrives on a distant world and discovers a threat that could cause the extinction of the human race.

Director: Ridley Scott

Genre: Adventure, Mystery, Sci-fi

Release date: June 1st 2012

Producer: Ridley Scott, David Giler, Walt Hiller 

Writers: John Spaihts, Damon Lindelof  

Distributor: 20th Century Fox

Music: Marc Streitenfeld 

Editing: Pietro Scalia 

Cinematography: Dariusz Wolski 

Runtime: 124 Minutes